Scope and Contents From the Collection: The collection primarily consists of project records containing specifications and plans, and photographs of completed projects. These records document the work done by Meyer in a number of partnerships, and contain a wide range of building types throughout the state. Projects include office buildings such as San Francisco's Humboldt Bank and Monadnock Buildings; club buildings such as the Elks Lodge in Bakersfield, and California Hall and the YMCA in San Francisco; Lagunda Honda and San...

Scope and Contents From the Series:

The Project Record Series contains a disappointing assortment of pieces such as a few mounted drawings of his ideas for San Francisco’s Yerba Buena Center and Ferry Plaza/Embarcadero, printed planning reports, and 9 tubes of drawings for projects such as S.F. Union Square, the Berkeley Art Museum, and a San Francisco Bay Bridge. Fortunately the records contain photographs and slides that present a more comprehensive view of Ciampi’s important early work with public schools and churches.

Scope and Contents From the Series:

The Project Record Series contains a disappointing assortment of pieces such as a few mounted drawings of his ideas for San Francisco’s Yerba Buena Center and Ferry Plaza/Embarcadero, printed planning reports, and 9 tubes of drawings for projects such as S.F. Union Square, the Berkeley Art Museum, and a San Francisco Bay Bridge. Fortunately the records contain photographs and slides that present a more comprehensive view of Ciampi’s important early work with public schools and churches.

Scope and Contents From the Series:

The Project Record Series contains a disappointing assortment of pieces such as a few mounted drawings of his ideas for San Francisco’s Yerba Buena Center and Ferry Plaza/Embarcadero, printed planning reports, and 9 tubes of drawings for projects such as S.F. Union Square, the Berkeley Art Museum, and a San Francisco Bay Bridge. Fortunately the records contain photographs and slides that present a more comprehensive view of Ciampi’s important early work with public schools and churches.

Scope and Contents From the Series:

The Project Record Series contains a disappointing assortment of pieces such as a few mounted drawings of his ideas for San Francisco’s Yerba Buena Center and Ferry Plaza/Embarcadero, printed planning reports, and 9 tubes of drawings for projects such as S.F. Union Square, the Berkeley Art Museum, and a San Francisco Bay Bridge. Fortunately the records contain photographs and slides that present a more comprehensive view of Ciampi’s important early work with public schools and churches.

Scope and Contents From the Series:

The Project Record Series contains a disappointing assortment of pieces such as a few mounted drawings of his ideas for San Francisco’s Yerba Buena Center and Ferry Plaza/Embarcadero, printed planning reports, and 9 tubes of drawings for projects such as S.F. Union Square, the Berkeley Art Museum, and a San Francisco Bay Bridge. Fortunately the records contain photographs and slides that present a more comprehensive view of Ciampi’s important early work with public schools and churches.

Scope and Contents From the Series:

The Project Record Series contains a disappointing assortment of pieces such as a few mounted drawings of his ideas for San Francisco’s Yerba Buena Center and Ferry Plaza/Embarcadero, printed planning reports, and 9 tubes of drawings for projects such as S.F. Union Square, the Berkeley Art Museum, and a San Francisco Bay Bridge. Fortunately the records contain photographs and slides that present a more comprehensive view of Ciampi’s important early work with public schools and churches.

Scope and Contents From the Series:

The Project Record Series contains a disappointing assortment of pieces such as a few mounted drawings of his ideas for San Francisco’s Yerba Buena Center and Ferry Plaza/Embarcadero, printed planning reports, and 9 tubes of drawings for projects such as S.F. Union Square, the Berkeley Art Museum, and a San Francisco Bay Bridge. Fortunately the records contain photographs and slides that present a more comprehensive view of Ciampi’s important early work with public schools and churches.

Scope and Contents From the Series:

The Project Record Series contains a disappointing assortment of pieces such as a few mounted drawings of his ideas for San Francisco’s Yerba Buena Center and Ferry Plaza/Embarcadero, printed planning reports, and 9 tubes of drawings for projects such as S.F. Union Square, the Berkeley Art Museum, and a San Francisco Bay Bridge. Fortunately the records contain photographs and slides that present a more comprehensive view of Ciampi’s important early work with public schools and churches.

Scope and Contents From the Series:

Project records are primarily organized alphabetically by original client name and/or project title. Physical materials for projects include photographs, sketches, and some drawings.