The Project Record Series contains a disappointing assortment of pieces such as a few mounted drawings of his ideas for San Francisco’s Yerba Buena Center and Ferry Plaza/Embarcadero, printed planning reports, and 9 tubes of drawings for projects such as S.F. Union Square, the Berkeley Art Museum, and a San Francisco Bay Bridge. Fortunately the records contain photographs and slides that present a more comprehensive view of Ciampi’s important early work with public schools and churches.

The Project Record Series contains a disappointing assortment of pieces such as a few mounted drawings of his ideas for San Francisco’s Yerba Buena Center and Ferry Plaza/Embarcadero, printed planning reports, and 9 tubes of drawings for projects such as S.F. Union Square, the Berkeley Art Museum, and a San Francisco Bay Bridge. Fortunately the records contain photographs and slides that present a more comprehensive view of Ciampi’s important early work with public schools and churches.

The Project Record Series contains a disappointing assortment of pieces such as a few mounted drawings of his ideas for San Francisco’s Yerba Buena Center and Ferry Plaza/Embarcadero, printed planning reports, and 9 tubes of drawings for projects such as S.F. Union Square, the Berkeley Art Museum, and a San Francisco Bay Bridge. Fortunately the records contain photographs and slides that present a more comprehensive view of Ciampi’s important early work with public schools and churches.

The Project Record Series contains a disappointing assortment of pieces such as a few mounted drawings of his ideas for San Francisco’s Yerba Buena Center and Ferry Plaza/Embarcadero, printed planning reports, and 9 tubes of drawings for projects such as S.F. Union Square, the Berkeley Art Museum, and a San Francisco Bay Bridge. Fortunately the records contain photographs and slides that present a more comprehensive view of Ciampi’s important early work with public schools and churches.

The Project Record Series contains a disappointing assortment of pieces such as a few mounted drawings of his ideas for San Francisco’s Yerba Buena Center and Ferry Plaza/Embarcadero, printed planning reports, and 9 tubes of drawings for projects such as S.F. Union Square, the Berkeley Art Museum, and a San Francisco Bay Bridge. Fortunately the records contain photographs and slides that present a more comprehensive view of Ciampi’s important early work with public schools and churches.

The Project Record Series contains a disappointing assortment of pieces such as a few mounted drawings of his ideas for San Francisco’s Yerba Buena Center and Ferry Plaza/Embarcadero, printed planning reports, and 9 tubes of drawings for projects such as S.F. Union Square, the Berkeley Art Museum, and a San Francisco Bay Bridge. Fortunately the records contain photographs and slides that present a more comprehensive view of Ciampi’s important early work with public schools and churches.

The Project Record Series contains a disappointing assortment of pieces such as a few mounted drawings of his ideas for San Francisco’s Yerba Buena Center and Ferry Plaza/Embarcadero, printed planning reports, and 9 tubes of drawings for projects such as S.F. Union Square, the Berkeley Art Museum, and a San Francisco Bay Bridge. Fortunately the records contain photographs and slides that present a more comprehensive view of Ciampi’s important early work with public schools and churches.

The Project Record Series contains a disappointing assortment of pieces such as a few mounted drawings of his ideas for San Francisco’s Yerba Buena Center and Ferry Plaza/Embarcadero, printed planning reports, and 9 tubes of drawings for projects such as S.F. Union Square, the Berkeley Art Museum, and a San Francisco Bay Bridge. Fortunately the records contain photographs and slides that present a more comprehensive view of Ciampi’s important early work with public schools and churches.

The Project Record Series contains a disappointing assortment of pieces such as a few mounted drawings of his ideas for San Francisco’s Yerba Buena Center and Ferry Plaza/Embarcadero, printed planning reports, and 9 tubes of drawings for projects such as S.F. Union Square, the Berkeley Art Museum, and a San Francisco Bay Bridge. Fortunately the records contain photographs and slides that present a more comprehensive view of Ciampi’s important early work with public schools and churches.