The Professional Papers contain biographical material, files related to awards, travel, and Ciampi’s participation in the 1959 architects creativity study conducted by U.C. Berkeley’s Institute for Personality Assessment & Research (IPAR).

The Project Record Series contains a disappointing assortment of pieces such as a few mounted drawings of his ideas for San Francisco’s Yerba Buena Center and Ferry Plaza/Embarcadero, printed planning reports, and 9 tubes of drawings for projects such as S.F. Union Square, the Berkeley Art Museum, and a San Francisco Bay Bridge. Fortunately the records contain photographs and slides that present a more comprehensive view of Ciampi’s important early work with public schools and churches.

The Project Record Series contains a disappointing assortment of pieces such as a few mounted drawings of his ideas for San Francisco’s Yerba Buena Center and Ferry Plaza/Embarcadero, printed planning reports, and 9 tubes of drawings for projects such as S.F. Union Square, the Berkeley Art Museum, and a San Francisco Bay Bridge. Fortunately the records contain photographs and slides that present a more comprehensive view of Ciampi’s important early work with public schools and churches.

The Project Record Series contains a disappointing assortment of pieces such as a few mounted drawings of his ideas for San Francisco’s Yerba Buena Center and Ferry Plaza/Embarcadero, printed planning reports, and 9 tubes of drawings for projects such as S.F. Union Square, the Berkeley Art Museum, and a San Francisco Bay Bridge. Fortunately the records contain photographs and slides that present a more comprehensive view of Ciampi’s important early work with public schools and churches.

The Professional Papers contain biographical material, files related to awards, travel, and Ciampi’s participation in the 1959 architects creativity study conducted by U.C. Berkeley’s Institute for Personality Assessment & Research (IPAR).

The Project Record Series contains a disappointing assortment of pieces such as a few mounted drawings of his ideas for San Francisco’s Yerba Buena Center and Ferry Plaza/Embarcadero, printed planning reports, and 9 tubes of drawings for projects such as S.F. Union Square, the Berkeley Art Museum, and a San Francisco Bay Bridge. Fortunately the records contain photographs and slides that present a more comprehensive view of Ciampi’s important early work with public schools and churches.

The Project Record Series contains a disappointing assortment of pieces such as a few mounted drawings of his ideas for San Francisco’s Yerba Buena Center and Ferry Plaza/Embarcadero, printed planning reports, and 9 tubes of drawings for projects such as S.F. Union Square, the Berkeley Art Museum, and a San Francisco Bay Bridge. Fortunately the records contain photographs and slides that present a more comprehensive view of Ciampi’s important early work with public schools and churches.

The Project Record Series contains a disappointing assortment of pieces such as a few mounted drawings of his ideas for San Francisco’s Yerba Buena Center and Ferry Plaza/Embarcadero, printed planning reports, and 9 tubes of drawings for projects such as S.F. Union Square, the Berkeley Art Museum, and a San Francisco Bay Bridge. Fortunately the records contain photographs and slides that present a more comprehensive view of Ciampi’s important early work with public schools and churches.