Scope and Contents From the Sub-Series:

Arranged by location (country) if given or by type (e.g. architecture, garden, sculpture). Within these distinctions, photographs and prints are separated.

Contains prints and photographs of European gardens and garden furniture, and hand-tinted images of American gardens.

Scope and Contents From the Sub-Series:

Arranged by location (country) if given or by type (e.g. architecture, garden, sculpture). Within these distinctions, photographs and prints are separated.

Contains prints and photographs of European gardens and garden furniture, and hand-tinted images of American gardens.

Scope and Contents From the Sub-Series:

Arranged by location (country) if given or by type (e.g. architecture, garden, sculpture). Within these distinctions, photographs and prints are separated.

Contains prints and photographs of European gardens and garden furniture, and hand-tinted images of American gardens.

Scope and Contents From the Sub-Series:

In the fine art horticulture print collection are works by Pannini (e.g., the Villa Lante) and Piranesi (e.g., a part of the Villa d'Este). French prints include those by Rigaud, and Israel Silvestre's views of Versailles. Also included is a series of vues optiques: popular viewing entertainment scenes including depictions of Constantinople, Rome, Spain, Germany, France, and Holland.

Scope and Contents From the Series: Because Farrand’s personal papers, professional papers, and the material from the Reef Point reference collection had been interfiled prior to the processing of the collection by the Environmental Design Archives, it is difficult to distinguish between material that was organized in these groups. In fact, it is possible that Farrand may not have made clear distinctions between these areas herself. As a result, reference material that may have originally been part of her personal papers,...

Scope and Contents From the Series: Because Farrand’s personal papers, professional papers, and the material from the Reef Point reference collection had been interfiled prior to the processing of the collection by the Environmental Design Archives, it is difficult to distinguish between material that was organized in these groups. In fact, it is possible that Farrand may not have made clear distinctions between these areas herself. As a result, reference material that may have originally been part of her personal papers,...

Scope and Contents From the Series: Because Farrand’s personal papers, professional papers, and the material from the Reef Point reference collection had been interfiled prior to the processing of the collection by the Environmental Design Archives, it is difficult to distinguish between material that was organized in these groups. In fact, it is possible that Farrand may not have made clear distinctions between these areas herself. As a result, reference material that may have originally been part of her personal papers,...