Scope and Contents From the Series:

Arranged alphabetically by project. Consists of working drawings and photographs of completed projects, primarily residences although records for apartment complexes and other projects also exist. Photographers represented in this collection include Roger Sturtevant, Ernest Braun, Theodore Osmundson, Phil Palmer, and Joshua Freiwald

Abstract The Oakland & Imada Collection spans the years 1942-2002 (bulk 1953-1999) and includes files documenting the projects of the firm and its predecessor, Claude Oakland & Associates, and the activities of the two partners. The Collection is organized into five Series: Personal Papers, Professional Papers, Office Records, Non-Eichler Project Records and Eichler Project Records.The Eichler Project Records make up the bulk of the collection and contain documentation for...

Scope and Contents From the Collection: The John Funk Collection spans the years 1929-1988 and is organized into three series: Personal Papers, Office Records, and Project Records. The Personal Papers include drawings and photographs of student work, architectural exhibition material collected by Funk, and photographs of Funk. The Office Records contain clippings and promotional materials about Funk’s projects, along with documentation and photographs from architectural exhibitions that highlight Funk’s Heckendorf House....

Scope and Contents From the Series:

Boxes 3-5, Flat files. Arranged by project/job/client name.

A. Files B. Specifications C. Photographs D. Drawings

Scope and Contents From the Series:

Project records are primarily organized alphabetically by original client name and/or project title. Physical materials for projects include photographs, sketches, and some drawings.

Scope and Contents From the Series:

The Project Record Series contains a disappointing assortment of pieces such as a few mounted drawings of his ideas for San Francisco’s Yerba Buena Center and Ferry Plaza/Embarcadero, printed planning reports, and 9 tubes of drawings for projects such as S.F. Union Square, the Berkeley Art Museum, and a San Francisco Bay Bridge. Fortunately the records contain photographs and slides that present a more comprehensive view of Ciampi’s important early work with public schools and churches.

Scope and Content note From the Collection: The Clark & Beuttler records span 40.5 linear feet and date from 1920 to 1968. The collection contains notes, clippings, small sketches, and correspondence, all organized by project. The collection also consists of black-and-white photographs, negatives, and Clarke’s postcard collection which is organized by location and/or subject. Flat files contain architectural drawings and reprographic copies of work, primarily residential, done by Clark & Beuttler between the mid to...

Scope and Content note From the Collection: The Clark & Beuttler records span 40.5 linear feet and date from 1920 to 1968. The collection contains notes, clippings, small sketches, and correspondence, all organized by project. The collection also consists of black-and-white photographs, negatives, and Clarke’s postcard collection which is organized by location and/or subject. Flat files contain architectural drawings and reprographic copies of work, primarily residential, done by Clark & Beuttler between the mid to...

Scope and Contents From the Series:

Project Records include project files, photographs, slides, and negatives, and more than 500 tubes of project drawings documenting 425 projects.

Scope and Contents From the Series:

Arranged alphabetically by project. Consists of working drawings and photographs of completed projects, primarily residences although records for apartment complexes and other projects also exist. Photographers represented in this collection include Roger Sturtevant, Ernest Braun, Theodore Osmundson, Phil Palmer, and Joshua Freiwald